It's the same with "Bar Mitzvah Disco" and "Camp Camp": holding up a mirror to our generation and asking us to examine who we are and how we came to be this way. We've tried to use the albums as footprints through history or breadcrumbs through the forest to pave a telling of how we got from the Polish mobster to me in New York City. This book is driven by a desire to try to understand the four-generation story of how we got from there to here, knowing that our own personal stories are always going to be regrettably fuzzy. Josh's great grandfather was a Hungarian officer, my great great grandfather was a reputed Polish mobster. Both Josh and I come from families where we don't even know the names of a couple of generations back. We've chased down so many of the performers who've made these records, we're tracking down the stories behind them, we're trying to build the histories of all these individual performers, and we put them back on stage. This book has great 1970s mullet haircuts, but it's the opposite of that to me. I think this book is produced with no irony. How much earnestness would you say was behind it and how much of it was sort of " ha ha look at the silly Jewish people being ridiculous"? It seems like this book-as well as your earlier books "Bar Mitzvah Disco" and "Camp Camp"- has a lot of ironic hipster appeal. Rather than go to Vegas or play golf or whatever, we'd go down to Boca, where Jewish vinyl goes to die, and go to thrift stores there and come back with our arms laden with albums, which for us are not just musical artifacts but footprints through history, and that's really what the book is about. Finding a partner in crime was really unbelievable and we started collecting obsessively together. Josh and I had both started collecting before we'd even met each other. When you started collecting did you have a book in mind? I was always fascinated by the inversion of those two albums and started collecting quietly, obsessively. So the first was a non-Jewish Catholic from New Jersey singing Jewish music on a major record label, and the second was a Jewish New Yorker making Latin music that sold really well in Mexico, where he was known as Campos, el Pianista -Fields the pianist. Roger Bennett: Along with requisite Mamas and Papas and Beatles, my mother's record collection included two albums that really struck me: "Connie Francis Sings Jewish Favorites" and "Bagels and Bongos," by Irving Fields. NEWSWEEK: Bagels and Bongos was the album that started it all. NEWSWEEK's Samantha Henig spoke with Bennett about Boca Raton's treasure of Jewish vinyl, the Jewish straddling of highbrow and lowbrow humor, and why Jews are so funny. A few of those musicians, now in their 70s, 80s and 90s, came together in mid-December for a concert in Manhattan, where the Yiddish songs and Jewish classics were interspersed with reflections from Slate music critic Jody Rosen, comedian Jessi Klein, and Village Voice senior editor Kandia Crazy Horse. But old Jewish music has been given a new spin, thanks to Roger Bennett and Josh Kun, the coauthors of "And You Shall Know Us By the Trail of Our Vinyl: The Jewish Past as Told by the Records We Have Loved and Lost." Not only did Bennett and Kun dig up hundreds of old Jewish records, pictured in the book, but they also tracked down some of the artists who performed them. Examining fan culture, from the famous stadium chants to the tactical variations of scarf tying, exploring the complex physics and ethics of both celebratory knee slides and fights between players, reliving the careers of legendary players, classic matches, and colorful World Cup history, and sharing a deep appreciation for the athletic brilliance and ill-judged neck tattoos that dominate the sport, this indispensable tome gives readers a front-row seat to all the action of football madness.When the crowd erupted for his performance of "Havana Nagila," 93-year-old Irving Fields exchanged a bemused shrug with his wife, drinking seltzer and picking at a single piece of bruschetta at the table closest to the piano, as if to say "Who are all these enthusiastic young people, and where did they come from?" It's a reasonable question for a man whose act, honed over a half-century of performing, and practiced on stage-still!-six nights a week, is the sort of schmaltzy stuff of Catskills resorts that faded from prominence along with the beehive. Now they immerse fans and novices alike in the history and culture of the world’s game with Encyclopedia Blazertannica. The Men in Blazers are two English-born, soccer-obsessed broadcasters who have savored the dizzying growth of the game along with millions of Americans. The essential guide to world soccer-the history, the players, the fan culture-from the phenomenally popular duo from NBC Sports.
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